DVD Double Feature 300 + Troy New Sealed Widescreen Brad Pitt Gerard Butler

Description: Brand new, sealed, never opened. 300 is a 2006 American epic historical action film[4][5] based on the 1998 comic book series of the same name by Frank Miller and Lynn Varley. Co-written and directed by Zack Snyder, with Miller serving as executive producer and consultant, the film is, like its source material, a fictionalized retelling of the Battle of Thermopylae in the Greco-Persian Wars. The plot revolves around King Leonidas (Gerard Butler), who leads 300 Spartans into battle against the Persian "God-King" Xerxes (Rodrigo Santoro) and his invading army of more than 300,000 soldiers. As the battle rages, Queen Gorgo (Lena Headey) attempts to rally support in Sparta for her husband. The story is framed by a voice-over narrative by the Spartan soldier Dilios (David Wenham). Through this narrative technique, various fantastical creatures are introduced, placing 300 within the genre of historical fantasy. 300 was filmed mostly with a superimposition chroma key technique to replicate the imagery of the original comics. An unfinished cut of 300 premiered at the Austin Butt-Numb-A-Thon on December 9, 2006. The completed film then premiered at the Berlin International Film Festival on February 14, 2007, before being released in both conventional and IMAX 8 in the United States on March 9, 2007 and on home media on July 31, 2007. The film received mixed-to-positive reviews from critics, who praised its visuals and style but criticized its historical inaccuracies, including its depiction of the Persians, which some characterized as bigoted or Iranophobic. Grossing over $456 million, the film's opening was the 24th-largest in box office history at the time, and became the tenth highest-grossing film of 2007. The film earned a leading ten nominations at the 34th Saturn Awards, winning two for Best Action, Adventure, or Thriller Film and Best Director (for Snyder). A sequel, titled Rise of an Empire, based on Miller's previously unpublished graphic novel prequel Xerxes, was released on March 7, 2014. PlotIn 480 B.C., one year after the Battle of Thermopylae, Dilios, a hoplite in the Spartan army, begins his story of Leonidas I from childhood to kingship via Spartan doctrine. A Persian herald arrives at Sparta demanding "earth and water" as a token of submission to King Xerxes. He urges Leonidas to submit and insults Queen Gorgo. In response, Leonidas and the Spartan soldiers threw the Persian herald and his Persian envoy into the bottomless pit. Leonidas then visits the Ephors, proposing a strategy to drive back the Persians through Thermopylae to funnel the Persians into a narrow pass, giving the Greeks' heavy infantry the advantage over the numerically superior Persian light infantry. The Ephors warn Leonidas that the Carneia is approaching and that Sparta should not wage war during that time. They consult the Oracle, who decrees that Sparta should honor the Carneia. As Leonidas angrily departs, an agent from Xerxes appears alongside a Spartan politician, Theron, rewarding the Ephors for their covert support. Although the Ephors have denied him permission to mobilize Sparta's army, Leonidas gathers three hundred soldiers. Theron and the Council confront Leonidas about defying the Ephors by going to war. Leonidas suggests that they will not go, but they depart for war shortly thereafter. They are joined by a force of a few thousand Arcadians and other Greeks led by Daxos. They reach Thermopylae, watching a storm sinking many Persian navy ships at the Aegean Sea. The Spartans then scout out a large Persian encampment and constructed the wall, using slain Persian scouts as mortar. Meanwhile, Leonidas encounters Ephialtes, a deformed Spartan whose parents fled Sparta to spare him certain infanticide. Ephialtes asks to join Leonidas' army and warns him of a secret goat path the Persians could use to outflank and surround the Spartans. Though sympathetic, Leonidas rejects him since his deformity could compromise the phalanx formation. The battle begins soon after the Spartans' refusal to lay down their weapons. Because of the narrowed pathway, the Spartans repel many waves of the advancing Persian army. Xerxes personally approaches Leonidas and offers him immense wealth and power in exchange for his submission. Leonidas declines and mocks the inferior quality of Xerxes' warriors. That night, Xerxes sends in his elite guard, the Immortals, accompanied by the monstrous Uber Immortal, but the Greeks are once again victorious. On the second day, Xerxes sends in new waves of armies, including war elephants, with no success. During a battle, Astinos is killed. Meanwhile, an embittered Ephialtes has defected to Xerxes and reveals the secret path in exchange for wealth, women, and a uniform. The Arcadians retreat upon learning of Ephialtes' betrayal, but the Spartans choose to stay. Leonidas orders an injured but reluctant Dilios to return to Sparta and inform his compatriots of what has happened. In Sparta, Queen Gorgo has been attempting to persuade the Spartan Council to send reinforcements to aid the 300 Spartan soldiers making their last stand. Gorgo comes to Theron for help having been allowed to make her plea to the Council, but Theron rapes her in exchange for his needed assistance, and the next day betrays her and attempts to defame her as an adultress before the Council. Gorgo kills Theron, revealing within his robe a bag of Xerxes' gold. Acknowledging his betrayal, the Council unanimously agrees to send reinforcements. On the third day the Persians, led by Ephialtes, traverse the secret path, encircling the Spartans. Xerxes' general again demands their surrender, but the Spartans refused and Stelios kills the general. Angered, Xerxes orders his troops to attack. Leonidas throws his spear at Xerxes, slicing his face to prove the God-King's mortality. Leonidas and the remaining Spartans fight to the last man until they finally succumb to an arrow barrage. Dilios concludes his tale before the Spartan Council. Inspired by Leonidas's sacrifice, the Greeks mobilize an army with Sparta leading the charge. Dilios, now head of the Spartan army, leads them to battle against the Persians. CastGerard Butler as Leonidas, King of Sparta.David Wenham as Dilios, narrator and Spartan soldier.Lena Headey as Queen Gorgo, Queen of Sparta (Gorgo has a larger role in the film than she does in the comic book, where she only appears in the beginning).[6]Giovanni Cimmino as Pleistarchus, son of Leonidas and Gorgo (Pleistarchus does not feature in the comic book).[6]Dominic West as Theron, a fictional corrupt Spartan politician (Theron is not featured in the comic book).[6]Vincent Regan as Captain Artemis, Leonidas' loyal captain and friendTom Wisdom as Astinos, Captain Artemis's eldest son. In the film, Astinos has a constant presence until he dies. In the comic book, the captain's son is only mentioned when he dies.[6]Andrew Pleavin as Daxos, an Arcadian leader who joins forces with Leonidas.Andrew Tiernan as Ephialtes, a deformed Spartan outcast and traitor.Rodrigo Santoro as King Xerxes, the powerful and ruthless god-like supreme king of Persia.Stephen McHattie as the Loyalist, a loyal Spartan politician.Michael Fassbender as Stelios, a young, spirited and highly skilled Spartan soldier.Peter Mensah as a Persian messenger who gets kicked into the well by Leonidas.Kelly Craig as Pythia, an Oracle to the Ephors.Eli Snyder as young Leonidas (7/8 years old).Tyler Neitzel as young Leonidas (15 years old).Robert Maillet as Über Immortal (giant), a muscular and deranged Immortal who battles Leonidas during the Immortal fight.Patrick Sabongui as the Persian General who tries to get Leonidas to comply at the end of the battle.Leon Laderach as Executioner, a hulking, clawed man who executes Xerxes's own menTyrone Benskin as the whip-wielding Persian Emissary.Production Above: the film version of a panel from the graphic novel (below)Producer Gianni Nunnari wasn't the only person planning a film about the Battle of Thermopylae, as director Michael Mann had already planned a film of the battle based on the book Gates of Fire. Nunnari discovered Frank Miller's graphic novel 300, which impressed him enough to acquire the film rights.[7][8] 300 was jointly produced by Nunnari and Mark Canton while Michael B. Gordon wrote the script.[9] Director Zack Snyder was hired in June 2004[10] as he had attempted to make a film based on Miller's novel before making his debut with the remake of Dawn of the Dead.[11] Snyder then had screenwriter Kurt Johnstad rewrite Gordon's script for production[10] and Frank Miller was retained as consultant and executive producer.[12] Frank Miller's original graphic novel 300 was inspired by the film The 300 Spartans, which Miller first saw at age six.[13] The film is a shot-for-shot adaptation of the comic book, similar to the film adaptation of Sin City.[14] Snyder photocopied panels from the comic book, from which he planned the preceding and succeeding shots. "It was a fun process for me… to have a frame as a goal to get to," he said.[15] Like the comic book, the adaptation also used the character Dilios as a narrator. Snyder used this narrative technique to show the audience that the surreal "Frank Miller world" of 300 was told from a subjective perspective. By using Dilios' gift of storytelling, he was able to introduce fantasy elements into the film, explaining that "Dilios is a guy who knows how not to wreck a good story with truth."[16] Snyder also added the subplot in which Queen Gorgo attempts to rally support for her husband.[17] Above: A scene during filmingBelow: The finished sceneTwo months of pre-production were required to create hundreds of shields, spears and swords, some of which were recycled from Troy and Alexander. Creatures were designed by Jordu Schell,[18] and an animatronic wolf and thirteen animatronic horses were created. The actors trained alongside the stuntmen, and even Snyder joined in. Upwards of 600 costumes were created for the film, as well as extensive prosthetics for various characters and the corpses of Persian soldiers. Shaun Smith and Mark Rappaport worked hand in hand with Snyder in pre-production to design the look of the individual characters, and to produce the prosthetic makeup effects, props, weapons and dummy bodies required for the production.[19] 300 entered active production on October 17, 2005 in Montreal,[20] and was shot over the course of sixty days[19] in chronological order[17] with a budget of $60 million.[21] Employing the digital backlot technique, Snyder shot at the now-defunct Icestorm Studios in Montreal using bluescreens. Butler said that while he did not feel constrained by Snyder's direction, fidelity to the comic imposed certain limitations on his performance. Wenham said there were times when Snyder wanted to precisely capture iconic moments from the comic book, and other times when he gave actors freedom "to explore within the world and the confines that had been set".[22] Headey said of her experience with the bluescreens, "It's very odd, and emotionally, there's nothing to connect to apart from another actor."[23] Only one scene, in which horses travel across the countryside, was shot outdoors.[24] The film was an intensely physical production, and Butler pulled an arm tendon and developed foot drop.[25] Post-production was handled by Montreal's Meteor Studios and Hybride Technologies filled in the bluescreen footage with more than 1,500 visual effects shots. Visual effects supervisor Chris Watts and production designer Jim Bissell created a process dubbed "The Crush,"[19] which allowed the Meteor artists to manipulate the colors by increasing the contrast of light and dark. Certain sequences were desaturated and tinted to establish different moods. Ghislain St-Pierre, who led the team of artists, described the effect: "Everything looks realistic, but it has a kind of a gritty illustrative feel."[19][26] Various computer programs, including Maya, RenderMan, and RealFlow, were used to create the "spraying blood".[27] The post-production lasted for a year and was handled by a total of ten special effects companies.[28] MusicMain article: 300 Original Motion Picture SoundtrackIn July 2005, composer Tyler Bates began work on the film, describing the score as having "beautiful themes on the top and large choir," but "tempered with some extreme heaviness". The composer had scored for a test scene that the director wanted to show to Warner Bros. to illustrate the path of the project. Bates said that the score had "a lot of weight and intensity in the low end of the percussion" that Snyder found agreeable to the film.[29] The score was recorded at Abbey Road Studios and features the vocals of Azam Ali.[30] A standard edition and a special edition of the soundtrack containing 25 tracks was released on March 6, 2007, with the special edition containing a 16-page booklet and three two-sided trading cards.[31] The score has caused some controversy in the film composer community, garnering criticism for its striking similarity to several other recent soundtracks, including James Horner and Gabriel Yared's work for the film Troy. The heaviest borrowings are said to be from Elliot Goldenthal's 1999 score for Titus. "Remember Us," from 300, is identical in parts to the "Finale" from Titus, and "Returns a King" is similar to the cue "Victorius Titus".[32][33][34] On August 3, 2007, Warner Bros. Pictures acknowledged in an official statement:… a number of the music cues for the score of 300 were, without our knowledge or participation, derived from music composed by Academy Award-winning composer Elliot Goldenthal for the motion picture Titus. Warner Bros. Pictures has great respect for Elliot, our longtime collaborator, and is pleased to have amicably resolved this matter.[35] MarketingMain article: 300: March to GloryThe official 300 website was launched by Warner Bros. in December 2005. The "conceptual art" and Zack Snyder's production blog were the initial attractions of the site.[36] Later, the website added video journals describing production details, including comic-to-screen shots and the creatures of 300. In January 2007, the studio launched a MySpace page for the film.[37] The Art Institutes created a micro-site to promote the film.[38] At Comic-Con International in July 2006, the 300 panel aired a promotional teaser trailer of the film, which was positively received.[39] Despite stringent security, the trailer was subsequently leaked on the Internet.[40] Warner Bros. released the official trailer for 300 on October 4, 2006,[41] and later on it made its debut on Apple.com where it received considerable exposure. The background music used in the trailers was "Just Like You Imagined" by Nine Inch Nails. A second 300 trailer, which was attached to Apocalypto, was released in theaters on December 8, 2006,[42] and online the day before.[43] On January 22, 2007, an exclusive trailer for the film was broadcast during prime-time television.[44] The trailers have been credited with igniting interest in the film and contributing to its box-office success.[45] In April 2006, Warner Bros. Interactive Entertainment announced its intention to make a PlayStation Portable game, 300: March to Glory, based on the film. Collision Studios worked with Warner Bros. to capture the style of the film in the video game, which was released simultaneously with the film in the United States.[46] The National Entertainment Collectibles Association produced a series of action figures based on the film,[47] as well as replicas of weapons and armor.[48] Warner Bros. promoted 300 by sponsoring the Ultimate Fighting Championship's light heavyweight champion Chuck Liddell, who made personal appearances and participated in other promotional activities.[49] The studio also joined with the National Hockey League to produce a 30-second TV spot promoting the film in tandem with the Stanley Cup playoffs.[50] ReleaseTheatricalActress Lena Headey facing right in a silver dress at the London premiere of the film in March 2007Lena Headey at the London premiere, 2007In August 2006, Warner Bros. announced 300's release date as March 16, 2007,[51] but in October the release was moved forward to March 9, 2007.[41] An unfinished cut of 300 was shown at Butt-Numb-A-Thon film festival on December 9, 2006.[52] Home media300 was released on DVD, Blu-ray Disc, and HD DVD on July 31, 2007, in region 1 territories, in both single-disc and two-disc editions. 300 was released in single-disc and steelcase two-disc editions on DVD, BD and HD DVD in region 2 territories beginning August 2007. On July 21, 2009, Warner Bros. released a new Blu-ray Disc entitled 300: The Complete Experience to coincide with the Blu-ray Disc release of Watchmen. This new Blu-ray Disc is encased in a 40-page Digibook and includes all the extras from the original release as well as some new ones. These features include a picture-in-picture feature entitled The Complete 300: A Comprehensive Immersion, which enables the viewer to view the film in three different perspectives. This release also includes a digital copy.[53] An Ultra HD Blu-ray edition of the film was released on October 6, 2020.[54] On July 9, 2007, American cable channel TNT bought the rights to broadcast the film from Warner Bros.[55] TNT started airing the film in September 2009. Sources say that the network paid between $17 million[56] and just under $20 million[55] for the broadcasting rights. TNT agreed to a three-year deal instead of the more typical five-year deal.[56] ReceptionBox office300 was released in North America on March 9, 2007, in both conventional and IMAX theaters.[57] It grossed $28,106,731 on its opening day and ended its North American opening weekend with $70,885,301,[58] breaking the record held by Ice Age: The Meltdown for the biggest opening weekend in the month of March and for a spring release. Since then 300's spring release record was broken by Fast and Furious and 300's March record was broken by Tim Burton's Alice in Wonderland.[59][60] 300's opening weekend gross is the 24th-highest in box office history, coming slightly below The Lost World: Jurassic Park but higher than Transformers.[61] It was the third-biggest opening for an R-rated film ever, behind The Matrix Reloaded ($91.8 million) and The Passion of the Christ ($83.8 million).[62] The film also set a record for IMAX cinemas with a $3.6 million opening weekend.[63] The film grossed $456,068,181 worldwide. 300 opened two days earlier, on March 7, 2007, in Sparta, and across Greece on March 8.[64][65] Studio executives were surprised by the showing, which was twice what they had expected.[66] They credited the film's stylized violence, the strong female role of Queen Gorgo which attracted a large number of women, and a MySpace advertising blitz.[67] Producer Mark Canton said, "MySpace had an enormous impact but it has transcended the limitations of the Internet or the graphic novel. Once you make a great movie, word can spread very quickly."[67] Critical responseThe film received a standing ovation at its world premiere in front of 1,700 audience members at the Berlin International Film Festival on February 14, 2007.[68] It had been panned at a press screening hours earlier, where many attendees left during the showing and those who remained booed at the end.[69] As of January 2021, on Rotten Tomatoes, the film had an approval rating of 61% based on 236 reviews, with an average rating of 6.10/10. The site's critical consensus reads, "A simple-minded but visually exciting experience, full of blood, violence, and ready-made movie quotes."[70] As of October 2020, on Metacritic, the film had an weighted average score of 52 out of 100, based on 42 critics, indicating "mixed or average reviews".[71] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[72] Some of the most unfavorable reviews came from major American newspapers. A. O. Scott of The New York Times described 300 as "about as violent as Apocalypto and twice as stupid," while criticizing its color scheme and suggesting that its plot includes racist undertones; Scott also poked fun at the buffed bodies of the actors portraying the Spartans, declaring that the Persian characters are "pioneers in the art of face-piercing", but that the Spartans had access to "superior health clubs and electrolysis facilities".[73] Kenneth Turan wrote in the Los Angeles Times that "unless you love violence as much as a Spartan, Quentin Tarantino or a video-game-playing teenage boy, you will not be endlessly fascinated".[74] Roger Ebert gave the film a 2 out of 4 rating, writing that "300 has one-dimensional caricatures who talk like professional wrestlers plugging their next feud."[75] Some critics employed at Greek newspapers have been particularly critical, such as film critic Robby Eksiel, who said that moviegoers would be dazzled by the "digital action" but also feel irritated by the "pompous interpretations and one-dimensional characters".[65][76] Variety's Todd McCarthy described the film as "visually arresting" although "bombastic"[77] while Kirk Honeycutt, writing in The Hollywood Reporter, praised the "beauty of its topography, colors and forms".[78] Writing in the Chicago Sun-Times, Richard Roeper acclaimed 300 as "the Citizen Kane of cinematic graphic novels".[79] Empire gave the film three out of five, writing, "Visually stunning, thoroughly belligerent and as shallow as a pygmy's paddling pool, this is a whole heap of style tinged with just a smidgen of substance." Comic Book Resources' Mark Cronan found the film compelling, leaving him "with a feeling of power, from having been witness to something grand".[80] IGN's Todd Gilchrist acclaimed Zack Snyder as a cinematic visionary and "a possible redeemer of modern moviemaking".[81] AccoladesAt the MTV Movie Awards 2007, 300 was nominated for Best Movie, Best Performance for Gerard Butler, Best Breakthrough Performance for Lena Headey, Best Villain for Rodrigo Santoro, and Best Fight for Leonidas battling "the Über Immortal",[82] but only won the award for Best Fight. 300 won both the Best Dramatic Film and Best Action Film honors in the 2006–2007 Golden Icon Awards presented by Travolta Family Entertainment.[83] In December 2007, 300 won IGN's Movie of the Year 2007,[84] along with Best Comic Book Adaptation[85] and King Leonidas as Favorite Character.[86] The movie received 10 nominations for the 2008 Saturn Awards, winning the awards for Best Director and Best Action/Adventure/Thriller Film.[87] In 2009, National Review magazine ranked 300 number 5 on its 25 "Best Conservative Movies of the Last 25 Years" list.[88] Historical accuracyIn the actual Battle of Thermopylae, the Spartans had already joined an alliance with other Greek poleis against the Persians. During the Battle of Thermopylae, Xerxes's invasion of Greece coincided with a Spartan religious festival, the Carneia, in which the Spartans were not permitted to make war. Still, realizing the threat of the Persians and not wanting to appear as Persian sympathizers, the Spartan government, rather than Leonidas alone, decided to send Leonidas with his personal 300-strong bodyguard to Thermopylae.[89] Other Greek poleis joined the 300 Spartan men and totaled somewhere between 5,000 and 6,000 total Greek troops. The historical consensus among both ancient chroniclers and current scholars was that Thermopylae was a clear Greek defeat, and the Persian invasion would be pushed back only in later ground and naval battles.[90] Since few records on the actual martial arts used by the Spartans survive aside from accounts of formations and tactics, the fight choreography, led by the stunt coordinator and fight choreographer Damon Caro, was a synthesis of different weapon arts with Filipino martial arts as the base.[91] Paul Cartledge, Professor of Greek History at Cambridge University, advised the filmmakers on the pronunciation of Greek names and said that they "made good use" of his published work on Sparta. He praised the film for its portrayal of "the Spartans' heroic code" and of "the key role played by women in backing up, indeed reinforcing, the male martial code of heroic honour", but he expressed reservations about its "'West' (goodies) vs 'East' (baddies) polarization".[92] Cartledge wrote that he enjoyed the film but found Leonidas' description of the Athenians as "boy lovers" ironic since the Spartans themselves incorporated institutional pederasty into their educational system.[93] Ephraim Lytle, assistant professor of Hellenistic history at the University of Toronto, said that 300 selectively idealized Spartan society in a "problematic and disturbing" fashion and portrayed the "hundred nations of the Persians" as monsters and non-Spartan Greeks as weak. He suggested that the film's moral universe would have seemed "as bizarre to ancient Greeks as it does to modern historians."[94] Lytle also commented, "Ephialtes, who betrays the Greeks, is likewise changed from a local Malian of sound body into a Spartan outcast, a grotesquely disfigured troll who by Spartan custom should have been left exposed as an infant to die. Leonidas points out that his hunched back means Ephialtes cannot lift his shield high enough to fight in the phalanx. This is a transparent defense of Spartan eugenics, and convenient given that infanticide could as easily have been precipitated by an ill-omened birthmark."[94] Victor Davis Hanson, a National Review columnist and former professor of classical history at California State University, Fresno, wrote the foreword to a 2007 reissue of the graphic novel and said that the film demonstrates a specific affinity with the original material of Herodotus in that it captures the martial ethos of ancient Sparta and represents Thermopylae as a "clash of civilizations". He remarked that Simonides, Aeschylus, and Herodotus viewed Thermopylae as a battle against "Eastern centralism and collective serfdom", which opposed "the idea of the free citizen of an autonomous polis".[95] He also said that the film portrays the battle in a "surreal" manner and that the intent was to "entertain and shock first, and instruct second."[96] Touraj Daryaee, who is now Baskerville Professor of Iranian History and the Persian World at the University of California, Irvine, criticized the film's use of classical sources by writing: Some passages from the Classical authors Aeschylus, Diodorus, Herodotus and Plutarch are split over the movie to give it an authentic flavor. Aeschylus becomes a major source when the battle with the "monstrous human herd" of the Persians is narrated in the film. Diodorus' statement about Greek valor to preserve their liberty is inserted in the film, but his mention of Persian valor is omitted. Herodotus' fanciful numbers are used to populate the Persian army, and Plutarch's discussion of Greek women, specifically Spartan women, is inserted wrongly in the dialogue between the "misogynist" Persian ambassador and the Spartan king. Classical sources are certainly used, but exactly in all the wrong places, or quite naively. The Athenians were fighting a sea battle during this.[97] Robert McHenry, the former editor-in-chief of Encyclopædia Britannica and the author of How to Know, said that the film "is an almost ineffably silly movie. Stills from the film could easily be used to promote Buns of Steel, or AbMaster, or ThighMaster. It's about the romanticizing of the Spartan 'ideal', a process that began even in ancient times, was promoted by the Romans, and has survived over time while less and less resembling the actual historical Sparta."[98] The director of 300, Zack Snyder, stated in an MTV interview that "the events are 90 percent accurate. It's just in the visualization that it's crazy.... I've shown this movie to world-class historians who have said it's amazing. They can't believe it's as accurate as it is." Nevertheless, he also said the film is "an opera, not a documentary. That's what I say when people say it's historically inaccurate."[99] He was also quoted in a BBC News story as saying that the film is, at its core "a fantasy film". He also describes the film's narrator, Dilios, as "a guy who knows how not to wreck a good story with truth."[16] In an interview the 300 writer Frank Miller, he stated, "The inaccuracies, almost all of them, are intentional. I took those chest plates and leather skirts off of them for a reason. I wanted these guys to move and I wanted 'em to look good. I knocked their helmets off a fair amount, partly so you can recognize who the characters are. Spartans, in full regalia, were almost indistinguishable except at a very close angle. Another liberty I took was, they all had plumes, but I only gave a plume to Leonidas, to make him stand out and identify him as a king. I was looking for more an evocation than a history lesson. The best result I can hope for is that if the movie excites someone, they'll go explore the histories themselves. Because the histories are endlessly fascinating."[100] Kaveh Farrokh, in the paper "The 300 Movie: Separating Fact from Fiction,"[101] noted that the film falsely portrayed "the Greco-Persian Wars in binary terms: the democratic, good, rational 'Us' versus the tyrannical, evil and irrational, 'other' of the ever-nebulous (if not exotic) 'Persia'". He highlighted three points regarding the contribution of the Achaemenid Empire to the creation of democracy and human rights: "The founder of the Achaemenid Empire, Cyrus the Great, was the world's first emperor to openly declare and guarantee the sanctity of human rights and individual freedom.... Cyrus was a follower of the teachings of Zoroaster, the founder of one of the world's oldest monotheistic religions.... When Cyrus defeated King Nabonidus of Babylon, he officially declared the freedom of the Jews from their Babylonian captivity. This was the first time in history that a world power had guaranteed the survival of the Jewish people, religion, customs and culture." He abolished slavery.[102] General criticismBefore the release of 300, Warner Bros. expressed concerns about the political aspects of the film's theme. Snyder relates that there was "a huge sensitivity about East versus West with the studio."[103] Media speculation about a possible parallel between the Greco-Persian conflict and current events began in an interview with Snyder that was conducted before the Berlin Film Festival.[104] The interviewer remarked that "everyone is sure to be translating this [film] into contemporary politics." Snyder replied that he was aware that people would read the film through the lens of current events, but no parallels between the film and the modern world were intended.[105] Outside current political parallels, some critics have raised more general questions about the film's ideological orientation. The New York Post's Kyle Smith wrote that the film would have pleased "Adolf's boys,"[106] and Slate's Dana Stevens compared the film to The Eternal Jew "as a textbook example of how race-baiting fantasy and nationalist myth can serve as an incitement to total war. Since it's a product of the post-ideological, post-Xbox 21st century, 300 will instead be talked about as a technical achievement, the next blip on the increasingly blurry line between movies and video games."[107] Roger Moore, a critic for the Orlando Sentinel, relates 300 to Susan Sontag's definition of "fascist art".[108] Indeed, the Lambda sign on the Spartans' shields in 300 formed the inspiration for the official symbol of the far-right Identitarian movement.[109][110] Newsday critic Gene Seymour, on the other hand, stated that such reactions are misguided, writing that "the movie's just too darned silly to withstand any ideological theorizing."[111] Snyder himself dismissed ideological readings, suggesting that reviewers who critique "a graphic novel movie about a bunch of guys... stomping the snot out of each other" using words like "'neocon,' 'homophobic,' 'homoerotic' or 'racist'" are "missing the point".[112] Snyder, however, also admitted to fashioning an effeminate villain specifically to make young straight males in the audience uncomfortable: "What's more scary to a 20-year-old boy than a giant god-king who wants to have his way with you?"[113] The Slovenian critic Slavoj Žižek pointed out that the story represents "a poor, small country (Greece) invaded by the army of a much large[r] state (Persia)" and suggested the identification of the Spartans with a modern superpower to be flawed.[114] The writer Frank Miller said: "The Spartans were a paradoxical people. They were the biggest slave owners in Greece. But at the same time, Spartan women had an unusual level of rights. It's a paradox that they were a bunch of people who in many ways were fascist, but they were the bulwark against the fall of democracy. The closest comparison you can draw in terms of our own military today is to think of the red-caped Spartans as being like our special-ops forces. They're these almost superhuman characters with a tremendous warrior ethic, who were unquestionably the best fighters in Greece. I didn't want to render Sparta in overly accurate terms, because ultimately I do want you to root for the Spartans. I couldn't show them being quite as cruel as they were. I made them as cruel as I thought a modern audience could stand."[100] Michael M. Chemers, author of "'With Your Shield, or on It': Disability Representation in 300" in the Disability Studies Quarterly, said that the film's portrayal of the hunchback and his story "is not mere ableism: this is anti-disability."[115] Frank Miller, commenting on areas in which he lessened the Spartan cruelty for narrative purposes, said: "I have King Leonidas very gently tell Ephialtes, the hunchback, that they can't use him [as a soldier], because of his deformity. It would be much more classically Spartan if Leonidas laughed and kicked him off the cliff."[100] Iranian criticism The portrayal of King Xerxes (right) was the subject of some criticism. Snyder said of Xerxes, "What's more scary to a 20-year-old boy than a giant god-king who wants to have his way with you?"[113]From its opening, 300 also attracted controversy over its portrayal of Persians. Officials of the Iranian government[116] denounced the film.[117][118][119] Some scenes in the film portray demon-like and other fictional creatures as part of the Persian army, and the fictionalized portrayal of Persian King Xerxes I has been criticised as effeminate.[120][121] Critics suggested that it was meant to stand in stark contrast to the portrayed masculinity of the Spartan army.[122] Steven Rea argued that the film's Persians were a vehicle for an anachronistic cross-section of Western aspirational stereotypes of Asian and African cultures.[123] The film's portrayal of ancient Persians caused a particularly strong reaction in Iran. Various Iranian officials condemned the film.[124][125][126] The Iranian Academy of the Arts submitted a formal complaint against the film to UNESCO that called it an attack on the historical identity of Iran.[127][128] The Iranian mission to the UN protested the film in a press release,[129] and Iranian embassies protested its screening in France,[130] Thailand,[131] Turkey,[132] and Uzbekistan.[133] The film was banned in Iran, with the film being considered American propaganda.[134] Reviewers in the United States and elsewhere "noted the political overtones of the West-against-Iran story line and the way Persians are depicted as decadent, sexually flamboyant and evil in contrast to the noble Greeks."[135] With black market copies of the film already available in Tehran with the film's international release and news of the film's surprising success at the US box office, the film prompted widespread anger in Iran. Azadeh Moaveni of Time reported, "All of Tehran was outraged. Everywhere I went yesterday, the talk vibrated with indignation over the film."[136] Newspapers in Iran featured headlines such as "Hollywood declares war on Iranians" and "300 Against 70 Million", the latter being the size of Iran's population. Ayende-No, an independent Iranian newspaper, said, "The film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people."[136] Four Iranian Members of Parliament called on other Muslim countries to ban the film,[137] and a group of Iranian film makers submitted a letter of protest to UNESCO regarding the film's misrepresentation of Iranian history and culture.[138] The cultural advisor to Iranian President Mahmoud Ahmadinejad called the film an "American attempt for psychological warfare against Iran."[139] Moaveni identified two factors that may have contributed to the intensity of Iranian indignation over the film. Firstly, she described the timing of the film's release, on the eve of Nowruz, the Persian New Year, as "inauspicious". Secondly, Iranians tend to view the era depicted in the film as "a particularly noble page in their history." Moaveni suggested that 300's box office success compared with Alexander's failure (another spurious period epic dealing with Persians), was "cause for considerable alarm, signaling ominous U.S. intentions."[136] According to The Guardian, Iranian critics of 300, ranging from bloggers to government officials, described the movie "as a calculated attempt to demonise Iran at a time of intensifying U.S. pressure over the country's nuclear programme."[137] An Iranian government spokesman described the film as "hostile behavior which is the result of cultural and psychological warfare."[137] Moaveni reported that the Iranians with whom she interacted were "adamant that the movie was secretly funded by the U.S. government to prepare Americans for going to war against Iran."[136] In popular culture300 have been spoofed in film, television, and other media, and spawned the "This is Sparta!" internet meme.[140] Skits based upon the film have appeared on Saturday Night Live[141] and Robot Chicken, the latter of which mimicked the visual style of 300 in a parody set during the American Revolutionary War, titled "1776".[142] Other parodies include an episode of South Park named "D-Yikes!",[143] the short film United 300 which won the 2007 MTV Movie Spoof Award,[144] and "BOO!" by Mad magazine in its September 2007 issue #481, written by Desmond Devlin and illustrated by Mort Drucker.[145] 20th Century Fox released Meet the Spartans, a spoof directed by Jason Friedberg and Aaron Seltzer. Universal Pictures once planned a similar parody, titled National Lampoon's 301: The Legend of Awesomest Maximus Wallace Leonidas.[146] Samurai Jack, an American animated series by Genndy Tartakovsky, also paid homage to the Battle of Thermopylae in the 12th episode of its second season, but instead used minotaur robots as the antagonists.[147] 300, particularly its pithy quotations, has been "adopted" by the student body of Michigan State University (whose nickname is the Spartans), with chants of "Spartans, what is your profession?" becoming common at sporting events starting after the film's release, and Michigan State basketball head coach Tom Izzo dressed as Leonidas at one student event.[148][149] Nate Ebner, a football player with the New England Patriots in the National Football League and formerly with the Ohio State Buckeyes, was nicknamed "Leonidas," after the Greek warrior-king hero of Sparta acted by Gerard Butler in the movie 300, because of his intense workout regimen, and his beard.[150] SequelMain article: 300: Rise of an EmpireIn June 2008, producers Mark Canton, Gianni Nunnari and Bernie Goldmann revealed that work had begun on a sequel to 300, 300: Rise of an Empire.[151] Legendary Pictures had announced that Frank Miller had started writing the follow-up graphic novel and that Zack Snyder was interested in directing the adaptation but moved on to develop and direct the Superman reboot Man of Steel.[152][153] Noam Murro directed instead, while Zack Snyder produced. The film focused on the Athenian admiral, Themistocles, as portrayed by Australian actor Sullivan Stapleton. The sequel, 300: Rise of an Empire, was released on March 7, 2014 and grossed $337 million worldwide.[154] Troy is a 2004 epic historical war film directed by Wolfgang Petersen and written by David Benioff. Produced by units in Malta, Mexico and Britain's Shepperton Studios, the film features an ensemble cast led by Brad Pitt, Eric Bana, Sean Bean and Orlando Bloom. It is loosely based[3] on Homer's Iliad in its narration of the entire story of the decade-long Trojan War—condensed into little more than a couple of weeks, rather than just the quarrel between Achilles and Agamemnon in the ninth year. Achilles leads his Myrmidons along with the rest of the Greek army invading the historical city of Troy, defended by Hector's Trojan army. The end of the film (the sack of Troy) is not taken from the Iliad, but rather from Quintus Smyrnaeus's Posthomerica, as the Iliad concludes with Hector's death and funeral. Troy made over $497 million worldwide, making it the 60th highest-grossing film at the time of its release. However, it received mixed reviews, with critics praising its entertainment value and the performances of Pitt and Bana[4][5][6] while criticizing its story, which was deemed unfaithful to the Iliad.[7][8] It received a nomination for Best Costume Design at the 77th Academy Awards and was the eighth highest-grossing film of 2004.[9] PlotIn 1250 B.C, King Agamemnon unites the Greek kingdoms. Achilles fights for Agamemnon but despises his arrogance. Prince Hector of Troy and his brother Paris negotiate a peace treaty with Menelaus, King of Sparta. Paris begins an affair with Menelaus' wife, Queen Helen, and he smuggles her aboard his home-bound vessel. Menelaus meets Agamemnon, his elder brother, and asks him to help take Troy. Agamemnon agrees, as conquering Troy would give him control of the Aegean Sea. Agamemnon gets Odysseus, King of Ithaca, to persuade Achilles to join them. In Troy, King Priam welcomes Helen, and prepares for war. The Greeks invade and take the Trojan beach with the aid of Achilles. Achilles has the temple of Apollo sacked, and claims Briseis—a priestess and the cousin of Paris and Hector—as a slave. He is angered when Agamemnon takes her from him, and decides that he will not aid Agamemnon in the siege. The Trojans meanwhile have assembled their entire army of 25,000 warriors. General Glaucus has confidence in Troy's defenses and the skill of their soldiers; however others argue for diplomacy, prompting Paris to declare he will challenge Menelaus for the right to Helen. The armies meet outside the walls of Troy. Paris offers to fight Menelaus in exchange for Helen and the city being spared. Agamemnon, intending to take the city regardless, accepts. Menelaus wounds Paris, but is killed by Hector, who breaks the rules of combat to save his brother. Agamemnon orders the Greeks to crush the Trojan army, but the well trained Trojans halt their advance. With casualties mounting due to the archers on Troy's walls and after Hector kills Ajax in single combat, Agamemnon is forced to order the retreat and the Trojan army begins to mount a furious counterattack chasing the Greeks to the beach. Agamemnon gives Briseis to the Greek soldiers for their amusement, but Achilles saves her. Later that night, Briseis sneaks into Achilles' quarters to kill him; instead, she falls for him and they become lovers. Achilles resolves to leave Troy, much to the dismay of Patroclus, his cousin. Priam orders Hector to retake the beach. Hector leads the entire Trojan army there and engages the Greek army; he fights a man he believes to be Achilles and kills him, only to discover it was actually Patroclus. The armies agree to stop fighting for the day. Achilles is informed of Patroclus' death and vows revenge. Wary of Achilles, Hector shows his wife Andromache a tunnel beneath Troy, telling her that should he die and the city fall, she should take their child and any survivors out of the city. The next day, Achilles arrives and challenges Hector; they fight until Hector is killed. Achilles attaches Hector's corpse to his chariot and drags him to the beach. Priam sneaks into the Greek camp and implores Achilles to return Hector's body for a proper funeral. Achilles agrees and allows Briseis to return to Troy with Priam, promising a twelve-day truce so that Hector's funeral rites may be held. The Greeks build a gigantic wooden horse as a peace offering and abandon the beach, hiding their ships nearby. The horse is brought into Troy. That night, Greeks hiding inside the horse emerge and open the city gates for the Greek army to begin the Sack of Troy. The Trojan warriors rouse themselves and attempt to fight the invaders, but they are overwhelmed and slaughtered while civilians are killed or taken as slaves. Andromache and Helen guide some Trojans to safety through the tunnel. Paris gives the Sword of Troy to Aeneas, instructing him to protect the Trojans and find them a new home. As the Greeks penetrate the palace walls Glaucus leads the remaining Trojan soldiers in a brave last stand. The Trojans kill many Greeks but are ultimately overwhelmed and massacred with Odysseus killing Glaucus while Agamemnon kills Priam and captures Briseis, who then fatally stabs Agamemnon. Achilles fights his way through the city and reunites with Briseis. Paris, seeking to avenge his brother, shoots an arrow through Achilles' heel and then several into his body. Achilles bids farewell to Briseis, and watches her flee with Paris before dying. Troy is finally taken by the Greeks and a funeral is held for Achilles. CastBrad Pitt as Achilles, Greece's greatest warrior and leader of the Myrmidons; lover of BriseisEric Bana as Hector, Crown Prince of Troy, commander of the Trojan armies and Paris' older brotherOrlando Bloom as Paris, Prince of Troy and Hector's younger brotherDiane Kruger as Helen, former Queen of Sparta who became a Princess of TroyBrian Cox as Agamemnon, King of the United Greek City-StatesSean Bean as Odysseus, King of IthacaBrendan Gleeson as Menelaus, King of Sparta and younger brother of AgamemnonRose Byrne as Briseis, Princess of Troy, Priestess of the Trojan Temple of Apollo and Hector and Paris' cousinPeter O'Toole as Priam, King of Troy and Hector and Paris' fatherGarrett Hedlund as Patroclus, Achilles' cousinSaffron Burrows as Andromache, Hector's wife and Crown Princess of TroyJulie Christie as Thetis, Achilles' motherJohn Shrapnel as Nestor, Agamemnon's advisorNigel Terry as Archeptolemus, the Trojan high priestJames Cosmo as Glaucus, second-in command of the Trojan armiesJulian Glover as Triopas, King of ThessalyVincent Regan as Eudorus, Achilles' right-hand man of the MyrmidonsTrevor Eve as VeliorTyler Mane as AjaxNathan Jones as Boagrius, Triopas' championProductionThe city of Troy was built on the Mediterranean island of Malta at Fort Ricasoli from April to June 2003.[10] Other important scenes were shot in Mellieħa, a small town in the north of Malta, and on the small island of Comino. The outer walls of Troy were built and filmed in Cabo San Lucas, Mexico.[11] Film production was disrupted for a period after Hurricane Marty affected filming areas.[12] Pitt also suffered an injury to his Achilles tendon during filming which caused the production to delay for several weeks.[13] The role of Briseis was initially offered to Bollywood actress Aishwarya Rai, but she turned it down because she was not comfortable doing the lovemaking scenes that were included. The role eventually went to Rose Byrne.[14][15] MusicMain article: Troy: Music from the Motion PictureComposer Gabriel Yared originally worked on the score for Troy for over a year, having been hired by the director, Wolfgang Petersen. Tanja Carovska provided vocals on various portions of the music, as she later would on composer James Horner's version of the soundtrack. However, the reactions at test screenings which used an incomplete version of the score were negative, and in less than a day Yared was off the project without a chance to fix or change his music.[16] James Horner composed a replacement score in about four weeks. He used Carovska's vocals again and also included traditional Eastern Mediterranean music and brass instruments. Horner also collaborated with American singer-songwriter Josh Groban and lyricist Cynthia Weil to write an original song for the film's end credits. The product of this collaboration, "Remember Me", was performed by Groban with additional vocals by Carovska. The soundtrack for the film was released on May 11, 2004, through Reprise Records. Director's cut This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2023) (Learn how and when to remove this template message)Troy: Director's Cut was screened at the 57th Berlin International Film Festival on February 17, 2007, and received a limited release in Germany in April 2007. Warner Home Video reportedly spent more than $1 million for the director's cut, which includes "at least 1,000 new cuts" or almost 30 minutes extra footage (with a new running time of 196 minutes). The DVD was released on September 18, 2007, in the US. The score of the film was changed dramatically, with many of the female vocals being cut. An addition to the music is the use of Danny Elfman's theme for Planet of the Apes during the pivotal fight between Hector and Achilles in front of the Gates of Troy. Josh Groban's song was removed from the end credits as well. Various shots were recut and extended. For instance, the love scene between Helen and Paris was reframed to include more nudity of Diane Kruger. The love scene between Achilles and Briseis is also extended. Only one scene was removed: the scene where Helen tends to the wound of Paris is taken out. The battle scenes were also extended, depicting more violence and gore, including much more of Ajax's bloody rampage on the Trojans during the initial attack by the Greek Army. Perhaps most significant was the sacking of Troy, barely present in the theatrical cut, but shown fully here, depicting the soldiers raping women and murdering babies. Characters were provided more time to develop, specifically Priam and Odysseus, the latter being given a humorous introduction scene. More emphasis is given to the internal conflict in Troy between the priests, who believe in omens and signs from the gods to determine the outcome of the war, and military commanders, who believe in practical battle strategies to achieve victory. Lastly, bookend scenes were added: the beginning being a soldier's dog finding its dead master and the end including a sequence where the few surviving Trojans escape to Mount Ida. There are frequent differences between the Iliad and Troy, most notably relating to the final fates of Paris, Helen, Agamemnon, Achilles and Menelaus. In one of the commentary sequences, the film's writer, David Benioff, said that when it came to deciding whether to follow the Iliad or to do what was best for the film, they always did what seemed best for the film. "I think there are maybe two or three lines in the script that quote Homer," Benioff says. "Any more than that wouldn't have been possible." Home mediaTroy was released on DVD and VHS on January 4, 2005.[17] The director's cut was released on Blu-ray and DVD on September 18, 2007.[18][19] The directors cut is the only edition of the film available on Blu-ray, however the theatrical cut was released on HD-DVD. ReceptionBox officeTroy grossed $133.4 million in the United States and Canada, and $364 million in other territories, for a worldwide total of $497.4 million, making the film one of the highest grossing films of 2004, alongside The Passion of the Christ, Spider-Man 2 and Shrek 2.[1] When the film was completed, total production costs were approximately $185 million, making Troy one of the most expensive films produced at that time. It was screened out of competition at the 2004 Cannes Film Festival.[20] The film made $46.9 million in its opening weekend, topping the box office, then $23.9 million in its second weekend falling to second.[1] Critical responseOn Rotten Tomatoes, Troy holds an approval rating of 53% based on 229 reviews, with an average rating of 6.00/10. The site's critics consensus reads: "A brawny, entertaining spectacle, but lacking emotional resonance."[21] On Metacritic, the film has a weighted average score of 56 out of 100, based on 43 critics, indicating "mixed or average reviews".[22] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[23] Roger Ebert rated the film two out of four stars, saying: "Pitt is modern, nuanced, introspective; he brings complexity to a role where it is not required."[4] IGN critics Christopher Monfette and Cindy White praised the director's cut as superior to the early version, evaluating it with eight stars out of ten.[24] Peter O'Toole, who played Priam, spoke negatively of the film during an appearance at the Savannah Film Festival, stating he walked out of the film fifteen minutes into a screening, and criticized the director, slamming him as "a clown".[25] Years later, Brad Pitt expressed disappointment with the film, saying: "I had to do Troy because [...] I pulled out of another movie and then had to do something for the studio. So I was put in Troy. It wasn't painful, but I realized that the way that movie was being told was not how I wanted it to be. I made my own mistakes in it. What am I trying to say about Troy? I could not get out of the middle of the frame. It was driving me crazy. I'd become spoiled working with David Fincher. It's no slight on Wolfgang Petersen. Das Boot is one of the all-time great films. But somewhere in it, Troy became a commercial kind of thing. Every shot was like, 'Here's the hero!' There was no mystery."[26] Some have criticized screenwriter David Benioff who later become one of the creators of the fantasy tv series Game of Thrones, for taking on too much material by covering the complete and lengthy chronology of the Trojan War, but he claimed he was aware of this challenge. He is quoted addressing this rather bluntly in an article by actor David Goldsmith in the journal Creative Screenwriting: "The script covers the Trojan War in its entirety, whereas Iliad is only one fragment of it. I didn't want to have little titles saying, 'Flash forward nine years.' It would have made it more faithful to the source material, but it wouldn't have been effective for the movie. I always followed the route that I thought was better for the movie; if that meant that I was cheating on Homer then so be it."[27]

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